è_&circ_&rdquo_é_&euro_¼_

ç_©_´_ç_´_§_æ_°_´_å_¤_&scaron_!å_«_å_£_°_æ_·_«_è_¡_!ç_&circ_½_å_&lsquo_&euro_!

æ_·_«_è_¡_é_ª_&scaron_å_¦_»_ç_§_æ_&lsaquo_

Fè_&euro_å_©_&dagger_æ_&oelig_&euro_å_Žä_¸_&euro_ç_&rsaquo_´_å_&ndash_&Scaron_æ_&rsquo_å_¿_«_ç_&sbquo_¹_

å_¤_§_é_¸_¡_å_·_´_å_¹_²_é_ª_&scaron_è_´_§_

é_©_¬_å_­_å_&ndash_&oelig_æ_¬_¢_è_¶_´_ç_&euro_,ä_»_Žå_Žé_¢_æ_¥_å_&lsaquo_å_¹_²_å_¥_¹_

è_&euro_å_©_&dagger_å_¸_®_æ_&circ_&lsquo_å_&fnof_é_¸_¡_å_·_´_

æ_&circ_&lsquo_è_®_©_å_°_&lsquo_å_¦_&Dagger_å_¹_²_ä_º_&dagger_ã_&euro_&sbquo_

å_¥_½_è_&permil_²_ç_&scaron_&bdquo_å_¯_æ_&bdquo_&rsaquo_å_¥_³_å_&lsaquo_~ç_¬_¬_å_&hellip_«_å_½_&circ_~æ_&OElig_&permil_æ_&lsquo_©_ç_¯_&Dagger_

kbç_»_³_è_&permil_º_ç_½_&lsquo_ 2

kbç_»_³_è_&permil_º_ç_½_&lsquo_ 1

ä_¸_è_¢_&oelig_å_°_&lsquo_å_¦_&Dagger_

å_&rsquo_&OElig_è_&euro_å_©_&dagger_å_&scaron_ç_&circ_±_

å_°_&lsquo_å_¦_&Dagger_è_¢_«_æ_&OElig_&permil_å_&oelig_¨_å_º_&Scaron_ä_¸_&Scaron_ç_&rdquo_¨_å_&Scaron_&rsaquo_æ_&rsquo_

ç_&lsaquo_ _æ_&rsquo_ç_²_&permil_æ_&oelig_¨_è_&euro_³_ï_¼_&OElig_ç_&rsaquo_´_å_&ndash_&Scaron_ç_&ndash_¼_

L. van Beethoven - Symphonie N°_6 - 3è_me mouvement : Allegro

å_&scaron_æ_&bdquo_&rsaquo_è_&Dagger_ª_æ_&lsaquo_

æ_&bdquo_&rsaquo_å_&fnof_è_&sbquo_&permil_æ_£_&rsquo_

å_°_é_¨_·_è_²_¨_

å_¹_²_å_&circ_«_ä_º_º_è_&euro_å_©_&dagger_ï_¼_&OElig_å_&dagger_&hellip_å_°_&bdquo_ï_¼_

ç_&rdquo_¨_ç_­_&dagger_è_&Dagger_ª_æ_&hellip_°_02

å_°_ç_£_ é_»_&fnof_ä_º_žè_&trade_Ž é_¡_å_°_&bdquo_ taiwanese model private cum on face

é_¦_&trade_æ_¸_¯_å_¦_¹_è_&Dagger_ª_æ_&lsaquo_å_£_ä_º_¤_æ_&permil_&ldquo_é_£_&rsaquo_æ_©_&Yuml_

å_¥_³_å_&lsaquo_è_¯_´_æ_&circ_&lsquo_å_°_&bdquo_ä_º_&dagger_æ_²_¡_ å_&mdash_ä_¸_ä_º_&dagger_ä_º_&dagger_

ç_&circ_&dagger_æ_&ldquo_ç_¾_Žè_&Dagger_&euro_ç_¾_Žå_¥_³_å_&bull_&Scaron_ç_®_&euro_ç_&rsaquo_´_å_°_±_æ_&tilde_¯_ç_»_&trade_å_&Scaron_&rsaquo_

10é_&euro_&dagger_å_§_¦_ç_¦_å_&Dagger_&OElig_è_¾_±_

æ_&mdash_&hellip_é_¤_¨_è_&Dagger_ª_æ_&lsaquo_